Review of Elvis (2022) by Anthony Lane for The New Yorker — 27 Jun 2022
Presleyologists will learn nothing here, and purists will find plenty against which to rail. Less knowing viewers, however, may well be sucked in by Luhrmann’s lively telling of the tale. This is not a movie for suspicious minds.
You can read the full review where it was originally posted online.
This review of Elvis (2022) was written by Anthony Lane and published by The New Yorker on 27 Jun 2022.
Elvis has generally received positive reviews.
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