Review of Elle (2016) by Anthony Lane for New Yorker — 14 Nov 2016
That stance of hers will outrage many viewers, as Verhoeven intends it to, but the question of whether Elle is pernicious nonsense or an excruciating black comedy is brushed aside in Huppert’s demonstration of sangfroid.
This, she shows us, is how to stand up for yourself in style. She’s the best.
You can read the full review where it was originally posted online.
This review of Elle (2016) was written by Anthony Lane and published by New Yorker on 14 Nov 2016.
Elle has generally received positive reviews.
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