Review of Elena (2014) by Stephen Holden for The New York Times — 29 May 2014
With its free-floating imagery, Elena unfolds like a cinematic dream whose central image is water, which symbolizes the washing away of grief. But more than that, it represents the stream of life, with beautiful images of women floating through time.
You can read the full review where it was originally posted online.
This review of Elena (2014) was written by Stephen Holden and published by The New York Times on 29 May 2014.
Elena has generally received positive reviews.
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