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Last updated: 10 Jun 2026 at 02:06 UTC

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Review of by Michael Sicinski for Cinema Scope — 17 Nov 2017

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Implicitly defeat cinematic miserablism, Salomé Lamas has shown herself to be one of the few artists sensitive to the lessons of Pedro Costa. She is helping to create a post-liberal progressive cinema.

You can read the full review where it was originally posted online.

This review of Eldorado XXI (2017) was written by and published by Cinema Scope on 17 Nov 2017.

Eldorado XXI has generally received mixed reviews.

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