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Last updated: 05 Jun 2026 at 06:33 UTC

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Review of by Simon Abrams for RogerEbert.com — 03 Feb 2021

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This may be Goro Miyazaki’s most eccentric feature yet, but it’s also his least engaging. Earwig and the Witch doesn’t move the way it should, and that’s lethal when your last name is Miyazaki.

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This review of Earwig and the Witch (2021) was written by and published by RogerEbert.com on 03 Feb 2021.

Earwig and the Witch has generally received mixed reviews.

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