Review of Dunkirk (2017) by Anthony Lane for New Yorker — 23 Jul 2017
Although Dunkirk is not as labyrinthine as Nolan’s “Memento” (2000) or “Inception” (2010), its strike rate upon our senses is rarely in doubt, and there is a beautiful justice in watching it end, as it has to, in flames.
Land, sea, air, and, finally, fire: the elements are complete, honor is salvaged, and the men who were lost scrape home.
You can read the full review where it was originally posted online.
This review of Dunkirk (2017) was written by Anthony Lane and published by New Yorker on 23 Jul 2017.
Dunkirk has generally received very positive reviews.
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