Review of Dry Ground Burning (2023) by Marina Ashioti for Little White Lies — 03 Sep 2022
Long takes, discursive monologues, slow pans and stylistic shifts allow the directors to forge an inventive cinematic language out of political consciousness; one that eschews the narrative codes of Western cinema, as it blends fiction and documentary, immersion and observation, to provide a multilayered embodiment of marginalised womanhood in contemporary Brazil.
You can read the full review where it was originally posted online.
This review of Dry Ground Burning (2023) was written by Marina Ashioti and published by Little White Lies on 03 Sep 2022.
Dry Ground Burning has generally received positive reviews.
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