Review of Draft Day (2014) by David Denby for New Yorker — 20 Apr 2014
All of these interesting performers can't save a dull script. To work, Draft Day needs the kind of witty dialogue and snappy energy that Steve Zaillian and Aaron Sorkin brought to “Moneyball” but the screenwriters mistake constant activity for actual screenwriting.
You can read the full review where it was originally posted online.
This review of Draft Day (2014) was written by David Denby and published by New Yorker on 20 Apr 2014.
Draft Day has generally received positive reviews.
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