Review of Don't Worry Darling (2022) by Richard Brody for The New Yorker — 26 Sep 2022
The film’s self-undercutting subtleties and its big dramatic reveal serve a greater purpose: its depiction of oppression in an out-of-whack, past-tense America calls to mind the country’s current-day political pathologies.
“Don’t Worry Darling” serves that purpose with a cleverness to match its focussed sense of outrage.
You can read the full review where it was originally posted online.
This review of Don't Worry Darling (2022) was written by Richard Brody and published by The New Yorker on 26 Sep 2022.
Don't Worry Darling has generally received mixed reviews.
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