Review of Don't Look Now (1936) by Cassandra M — 10 Feb 2011

Don't Look Now comes in for undeserved criticism from people who think that horror movies should be gore-fests. Anyone who truly appreciates the art of horror will recognise this film for what it is: a classic. The atmosphere in this film is incredible for many reasons: Pino Donaggio's haunting score, the wintry Venice location work, the fragmented and thoughtful editting, and the perfect performances. Add to that the most unforgettable twist ending ever filmed (to date, anyway) and you're looking at a tremendous film.

Donald Sutherland and Julie Christie play a couple who go to Venice to recover from the traumatic death of their daughter (she drowned in a pond at the bottom of their garden). They keep seeing a small red-coated figure wandering around the canals, and Sutherland convinces himself that it may be the spirit of his daughter trying to make contact from the other side. However, when he confronts the red-coated figure he is in for one hell of a shock....

Nicholas Roeg's film is a masterpiece. It can be viewed over and over again and with each new viewing it throws up new surprises and possibilities. An enigmatic, haunting and multi-layered treat, Don't Look Now is not to be missed.