Review of Dom Hemingway (2013) by David Denby for New Yorker — 06 Apr 2014
The movie is best enjoyed as a minor-key operatic, not a coherent story. While Law bellows blasphemous poetry, his director orchestrates a noirish light show with a cockeyed rhythm.
You can read the full review where it was originally posted online.
This review of Dom Hemingway (2013) was written by David Denby and published by New Yorker on 06 Apr 2014.
Dom Hemingway has generally received mixed reviews.
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