Review of Django Unchained (2012) by Anthony Lane for The New Yorker — 31 Dec 2012
By the time Tarantino shows up as a redneck with an unexplained Australian accent, Django Unchained has mislaid its melancholy, and its bitter wit, and become a raucous romp. It is a tribute to the spaghetti Western, cooked al dente, then cooked a while more, and finally sauced to death.
You can read the full review where it was originally posted online.
This review of Django Unchained (2012) was written by Anthony Lane and published by The New Yorker on 31 Dec 2012.
Django Unchained has generally received very positive reviews.
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