Disobedience (2018) - Critic Reviews - Page 5 of 8

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Review of Disobedience (2018)

By Paula Arantzazu Ruiz (61) for Sensacine (386) on 24 May 2018

Disobedience…

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Review of Disobedience (2018)

By Jordi Costa (207) for El Pais (Spain) (511) on 24 May 2018

Sebastian Lelio is consequent in his artistic discussion and especially meticulous on the description of this chilling environment…

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Review of Disobedience (2018)

By Moira Macdonald (1,892) for The Seattle Times (964) on 24 May 2018

Disobedience unfolds quietly but passionately, with a generosity of spirit toward its three central characters…

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Review of Disobedience (2018)

By Shawn Glinis (19) for Film Inquiry (1,269) on 23 May 2018

After Disobedience, I was left with the same uneasy feeling his last film evoked - this isn't Lelio's story to tell…

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Review of Disobedience (2018)

By Victoria Alexander (762) for FilmsInReview.com (462) on 22 May 2018

Luminous Weisz fearlessly delves into fetish lovemaking…

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Review of Disobedience (2018)

By Kristy Strouse (51) for Film Inquiry (1,269) on 22 May 2018

Disobedience shows the importance of personal truth, even when the world attempts to disparage it, and it does so with a gentle, moving beauty…

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Review of Disobedience (2018)

By Rob Thomas (1,118) for Capital Times (Madison, WI) (875) on 20 May 2018

It's impressive that [Rachel] McAdams, so charismatic in roles like Game Night, can play such a seemingly colorless character so effectively…

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Review of Disobedience (2018)

By Susan Granger (2,214) for SSG Syndicate (1,551) on 20 May 2018

Sensitive, yet simplistic, revealing an ideological, fundamentalist dilemma to a secular audience…

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Review of Disobedience (2018)

By Roger Moore (6,008) for Movie Nation (3,875) on 18 May 2018

A finely-acted tenterhooks drama about religion, sexuality, tradition and isolation…

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Review of Disobedience (2018)

By Ken Eisner (445) for Georgia Straight (1,078) on 17 May 2018

Some scenes with McAdams crackle a bit, and then the movie settles back into a grey, static pallor…

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Review of Disobedience (2018)

By Tina Hassannia (118) for National Post (1,405) on 17 May 2018

The pace in Disobedience feels leaden and stale compared to Lelio's previous work…

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Review of Disobedience (2018)

By Barry Paris (96) for Pittsburgh Post-Gazette (258) on 17 May 2018

This fine Disobedience... is unorthodox, in more ways than one, yet eminently reverent…

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Review of Disobedience (2018)

By Dan Lybarger (786) for Arkansas Democrat-Gazette (1,391) on 17 May 2018

The secret hero of the piece is [Alessandro] Nivola as Dovid, who could have been come off as an oppressor or a clueless chump…

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Review of Disobedience (2018)

By John Urbancich (394) for Your Movies (cleveland.com) (472) on 17 May 2018

Many special looks -- of longing, hatred, suspicion, true love, all of the above and more -- become a major part of writer/director Sebastian…

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Review of Disobedience (2018)

By Bruce Demara (410) for Toronto Star (3,601) on 16 May 2018

A beautifully crafted tale that will make your heart ache, thanks to two standout leading performances and a great supporting one…

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Review of Disobedience (2018)

By Kiko Martinez (245) for San Antonio Current (241) on 16 May 2018

In a less capable director's hands, a film like this would likely amount to a worn-out love triangle, but [Sebastián] Lelio identifies the…

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Review of Disobedience (2018)

By April Wolfe (199) for Village Voice (8,525) on 16 May 2018

As a whole, the film is directionless, with few individual character-study scenes making it compelling enough…

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Review of Disobedience (2018)

By Jim Slotek (879) for Original Cin (1,156) on 15 May 2018

Disobedience contrasts sharply with A Fantastic Woman for its refusal to offer up heroes to cheer for and villains to hate…

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Review of Disobedience (2018)

By Richard Von Busack (346) for North Bay Bohemian (7) on 14 May 2018

Chile's Sebastián Lelio exemplifies the best talents of a women's director: the empathy, the ability to dramatize without soaking in cheap…

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Review of Disobedience (2018)

By James Berardinelli (4,524) for ReelViews (4,523) on 14 May 2018

Lelio’s subdued approach to the material robs it of potential emotional power but also keeps the story grounded…

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