Diana (2013) - Critic Reviews - Page 3 of 5

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Review of Diana (2013)

By Laura Clifford (2,742) for Reeling Reviews (4,376) on 31 Oct 2013

Sets the Dodi/Haznat record straight, but the director who brought so much complexity to the last days in Hitler's bunker reduces Diana's last…

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Review of Diana (2013)

By John Anderson (1,358) for Newsday (2,345) on 31 Oct 2013

One wants to say too soon, but 150 years would be too soon for Oliver Hirschbiegel's close-to-comedic treatment of the princess' last chance…

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Review of Diana (2013)

By Stephanie Merry (410) for Washington Post (9,851) on 31 Oct 2013

Diana isn’t just an egregious case of rewriting history, but one of oversimplifying it…

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Review of Diana (2013)

By Ty Burr (2,612) for Boston Globe (6,852) on 31 Oct 2013

Hirschbiegel and Watts don’t have the nerve for camp…

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Review of Diana (2013)

By Peter Howell (1,731) for Toronto Star (3,601) on 31 Oct 2013

Diana presents the tragic title princess not as a flesh-and-blood woman but as two-thirds of an Oz quest: she's a figure of heart and courage,…

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Review of Diana (2013)

By Keith Phipps (1,177) for The Dissolve (1,478) on 31 Oct 2013

The amusements here are mostly of the unintentional kind…

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Review of Diana (2013)

By Amy Nicholson (961) for L.A. Weekly (3,142) on 31 Oct 2013

Diana is a Lifetime movie in sensible pumps, at once too silly to be taken seriously, yet so self-serious it rarely allows us to giggle…

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Review of Diana (2013)

By Matt Pais (1,519) for RedEye (906) on 31 Oct 2013

Viewers without clear memories of everything that went down will consider pulling up Wikipedia mid-movie. (Don't.)…

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Review of Diana (2013)

By Lou Lumenick (2,103) for New York Post (6,650) on 31 Oct 2013

The schmaltzy Diana is directed at a dirge-like pace by German director Oliver Hirschbiegel, whose film “Downfall’’ depicted the final…

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Review of Diana (2013)

By Kevin Jagernauth (311) for The Playlist (3,871) on 31 Oct 2013

A thoroughly dull, conventional tale of two people who can't find a compromise on their individual priorities to be together…

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Review of Diana (2013)

By Chris Bumbray (988) for JoBlo's Movie Emporium (1,959) on 31 Oct 2013

Just awful. Princess Di's life reimagined as a subpar soap opera…

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Review of Diana (2013)

By Elizabeth Weitzman (1,905) for New York Daily News (5,623) on 31 Oct 2013

You certainly won’t learn anything of interest about the Princess of Wales in Oliver Hirschbiegel’s misguided new biopic…

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Review of Diana (2013)

By Joshua Rothkopf (1,058) for Time Out (7,510) on 29 Oct 2013

Watts’s work is extraordinary, sometimes keying off the same illicit register as Mulholland Drive; she risks being goofy, awkward and bratty…

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Review of Diana (2013)

By Roger Moore (6,008) for Tribune News Service (1,102) on 28 Oct 2013

Watts masters Diana’s look — the way she carried her head and used those wide, coyly expressive eyes — but is only passable at impersonating…

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Review of Diana (2013)

By Jim Schembri (1,298) for 3AW (1,025) on 17 Oct 2013

The ever-versatile, ever-daring Naomi Watts certainly looks and sounds the part of Diana, Princess of Wales in Oliver Hirschbiegel's sedate,…

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Review of Diana (2013)

By Dominic Corry (151) for Flicks.co.nz (982) on 09 Oct 2013

Watts is let down by the Mills & Boon-level script, and I couldn't stop wondering how the originally-cast (and more age-appropriate) Jessica…

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Review of Diana (2013)

By David 'Mad Dog' Bradley (480) for Rip It Up (249) on 09 Oct 2013

Hirschbiegel turns to another dead celebrity with this biopic, following the plight of Princess Di in the last 2 years of her life…

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Review of Diana (2013)

By Matthew Toomey (680) for ABC Radio Brisbane (680) on 07 Oct 2013

I've seen Nicholas Sparks adaptations that were more credible than this…

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Review of Diana (2013)

By Simon Miraudo (882) for Quickflix (709) on 05 Oct 2013

At least it's not quite as disastrous a political biopic as The Iron Lady, which is a horrendously awful portrait of an interesting, divisive…

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Review of Diana (2013)

By Andrew L. Urban (972) for Urban Cinefile (2,850) on 05 Oct 2013

The focus on Diana becomes almost claustrophobic in its intensity…

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