Review of Destination Tokyo (1943) by Ethan T — 23 May 2015

Destination Tokyo reveals itself in three distinct ways: (1) it proved submarine films were marketable enterprises and the claustrophobic conditions aboard a sub did not necessarily translate to the audience (a big concern at the time); (2) Destination Tokyo stars Cary Grant, a bankable star and great asset to a risky film, but as audiences likely accepted Grant more openly in 1943 audiences of later generations may find him hard to buy as the steadfast, down-to-earth sub captain sweating it out with the grunts.

Grant built a career off being a suave, sophisticated, urbane rake who could act circles around most actors and give directors and producers all kinds of A-list ego. After Destination Tokyo, Grant could almost name his price.

Also, the film stars John Garfield in an early role and he plays second string to Grant well as smart mouth crewman who is as patriotic as his is mouthy. In addition, Alan Hale, Sr. - one of the all time great character actors - is a familiar figure as the cook.

By 1943, audiences knew Hale well from his frequent appearances in film throughout the 1920s, 1930s,and early 1940s; (3) finally, Destination Tokyo is a World War II film made during World War II, which gives it an critical emotion response to audiences at the time.

Many sons, brothers, husbands, and fathers most likely fought or served during the war and this fact is impossible to overlook. The wartime production of Destination Tokyo served the political front as well with many instances of stirring speeches, bravery, and American determination on full showcase.

The U.S. Government and War Department blessed this film and its message of patriotism (or propaganda depending on your viewpoint). In the end, Destination Tokyo is a rousing and satisfying war film done during the height of fighting in the Pacific.