Review of Desperado (1995) by Anthony Lane for The New Yorker — 17 Jun 2013
What fun there is derives from the smart editing (Rodriguez did his own cutting, and he's quicker on the draw than most of the pistol-packers) and from Antonio Banderas, who, stepping neatly into the Mariachi's boots, lends irony and calm, and even a trace of sweetness, to a nothing role.
You can read the full review where it was originally posted online.
This review of Desperado (1995) was written by Anthony Lane and published by The New Yorker on 17 Jun 2013.
Desperado has generally received positive reviews.
Was this review helpful?
Yes
No
