Review of Departures (2008) by Neilr — 14 Aug 2009

I'm concerned, but not surprised, that the American press gave this monumental film mixed reviews. In a country which exalts youth and denies death, DEPARTURES must be a total drag for some viewers.

I needn't tell the story, because it is available in too many forms elsewhere. I will say that I've never seen a film from any filmmaker or culture which displays such reverence and love for the lives and deaths of common people as this extraordinarily beautiful movie.

Perhaps it is the contrast between the Eastern way of death and that of our own which made such an impression on me. But on a simpler level, this film tells the story of a young man who -- having lost all identity -- recovers it in the most surprising way.

He learns not only to adapt to his new occupation but to honor it. And his work -- casketing -- preparing bodies for cremation -- reveals the ultimate gestures of honor and respect for the dead. Deeply, deeply moving stuff.

The venerable Joe Hisaihi has done it again. His cello-focused score is lavishly orchestrated and simply gorgeous. This is his best work since PRINCESS MONONOKE. The ensemble performances are as good as you get.

There's not one false peep from the entire bunch. Any decent, intelligent filmgoer who misses this has bypassed more than a movie. The script, the imagery, the values of this great achievement will impact the sensibilities of those who see it.

Our lives have more purpose than we, our acquaintances and employers suggest. We would all be better off if we could pay homage to others when they were still alive; but this wonderful work -- funny and moving in turn -- reminds us that we have another chance to do so, and that that it is redeeming and beautiful.

Don't miss it.