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Decision to Leave (2022) - Movie Reviews - Page 3 of 4

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Review of Decision to Leave (2022)

By Iamali (6) on 14 Oct 2022

Another fantastic work from Korea and Park Chan-wook…

Review of Decision to Leave (2022)

By Evchansw (1) on 14 Oct 2022

Not unlike Park’s earlier film.As far as people’s concerned his style is pretty hardcore , but in DTL you can catch different feeling,energetic…

Review of Decision to Leave (2022)

By Gulrami (1) on 14 Oct 2022

Best movie of the year, One of the best endings ever. everything is perfect in this movie. 마침내, 걸작의 탄생…

Review of Decision to Leave (2022)

By Manohla Dargis (1,909) for The New York Times (9,847) on 13 Oct 2022

From the very first destabilizing moments of this movie, Park dazzles you with the beauty of his images and the intoxicating bravura of his…

Review of Decision to Leave (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 13 Oct 2022

A love story by turns sprawling, despairing and invigorating…

Review of Decision to Leave (2022)

By Mark Keizer (225) for The A.V. Club (5,644) on 13 Oct 2022

The South Korean director, working at the top of his game, drops tantalizing clues that are best analyzed in multiple viewings which, it can…

Review of Decision to Leave (2022)

By David Fear (910) for Rolling Stone (4,035) on 13 Oct 2022

We expect cinematic fireworks with a stylist like [Park]…

Review of Decision to Leave (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 13 Oct 2022

It lulls the viewer, along with the protagonist, into a misty, dreamlike delirium until you’re not even certain of what’s right in front…

Review of Decision to Leave (2022)

By Brianna Zigler (58) for Paste Magazine (2,906) on 13 Oct 2022

While not Park’s best work, nor a masterpiece, Decision to Leave is an extravagant and hopelessly romantic thriller that weaves past and…

Review of Decision to Leave (2022)

By Anthony Lane (1,079) for The New Yorker (1,837) on 11 Oct 2022

Having been twisted into bewildered bits by the convolutions of Park’s narrative, I was astonished, toward the end, to find it brushing against…

Review of Decision to Leave (2022)

By Clint Worthington (295) for Consequence (296) on 30 Sep 2022

Park comes through with his typically vibrant, inventive command of tone and camera…

Review of Decision to Leave (2022)

By Alejandra Martinez (38) for We Got This Covered (2,391) on 28 Sep 2022

Decision to Leave is a finely crafted film, with stellar performances from Park Hae-il (charming, and perfect as a detective torn between emotions…

Review of Decision to Leave (2022)

By Ross Bonaime (185) for Collider (1,032) on 26 Sep 2022

The beauty of Decision to Leave is how Chan-wook can set his table with so many ideas, diversions, and elements, all making for an overly exquisite…

Review of Decision to Leave (2022)

By Andy Howell (33) for Film Threat (5,156) on 14 Sep 2022

Decision to Leave deals with the biggest subjects humans have to grapple with: love, sex, and death, and does so in what amounts to a serious,…

Review of Decision to Leave (2022)

By Chuck Bowen (756) for Slant Magazine (8,298) on 12 Sep 2022

Throughout the film, one often feels the plot machinations working against Park Chan-wook’s poetry, though in a few cases poetry wins out…

Review of Decision to Leave (2022)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 09 Sep 2022

To this viewer, it develops into a pretty nifty piece of genre work, a thriller that’s expertly made even if it doesn’t quite hum like…

Review of Decision to Leave (2022)

By John Bleasdale (289) for CineVue (2,163) on 10 Jun 2022

Ultimately, Decision to Leave is like a beautiful airport novel of a film. It is far cleverer than it needs to be and is so acted with sly charisma…

Review of Decision to Leave (2022)

By Luke Hicks (31) for The Film Stage (3,162) on 25 May 2022

There’s never a moment of grand revelation; rather a subtle, perpetual sense of understanding what’s going on, a fact that takes some pressure…

Review of Decision to Leave (2022)

By Phil De Semlyen (265) for Time Out (7,510) on 25 May 2022

Wei is magnetic as the would-be killer who uses her patchy Korean as an additional smokescreen to manoeuvre behind…

Review of Decision to Leave (2022)

By Jessica Kiang (522) for Variety (12,700) on 24 May 2022

After the world-conquering success of Bong Joon-ho’s “Parasite” and the small-screen domination of “Squid Game,” your new, sublimely…

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