Review of Deception (2022) by Caroline Tsai for The Playlist — 31 Aug 2021
Desplechin and his film seem to have a perverse and single-minded fixation not on “dazzling, interesting” women, but lost, tragic ones—women who can gravitate toward and glom onto Philip (Denis Podalydès), an inexplicably francophone version of the author, who lavishes the attention.
You can read the full review where it was originally posted online.
This review of Deception (2022) was written by Caroline Tsai and published by The Playlist on 31 Aug 2021.
Deception has generally received mixed reviews.
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