Review of Death Race 2000 (1975) by Pauline Kael for The New Yorker — 29 Nov 1986
The All-American imagery, coexisting with occasional shots of swastikas and socially-sanctioned cruelty, give it the feel of a surreal, funny fever dream about national purpose gone horribly awry.
You can read the full review where it was originally posted online.
This review of Death Race 2000 (1975) was written by Pauline Kael and published by The New Yorker on 29 Nov 1986.
Death Race 2000 has generally received positive reviews.
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