Review of Dead Man (1995) by Mojovoodoo — 01 Sep 2008

Jarmuschin erinomainen, runollinen happo-western, jonka nayttelijakaarti hakee vertaistaan. Ei musta Jarmuschin paras ohjaus, mutta kenties omaperaisin.

This review of Dead Man (1995) was written by Mojovoodoo on 01 Sep 2008.

Dead Man has generally received positive reviews.

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More Reviews of Dead Man

Review of Dead Man (1995)

By Spangle (1,205) on 06 Nov 2015

A film that is expertly made by director Jim Jarmusch, Dead Man is slow moving, but never becomes boring thanks to that great direction and…

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Review of Dead Man (1995)

By Tim R (1,080) on 23 Mar 2015

Droll, cynical, funny, shocking and a work of art. Dead Man resets the Western and freely tosses the cliches into the campfire…

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Review of Dead Man (1995)

By Ryan M (2,675) on 06 Jan 2016

Interesting stuff, but it does drag in many spots. Typical Jarmusch, but with amazing Black and white photography…

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Review of Dead Man (1995)

By Bob Mccabe (30) for Empire (3,446) on 15 Jun 2018

It's a tale that subtly reinterprets the genre and delivers Jarmusch's most accomplished, if not necessarily his most accessible film to date…

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Review of Dead Man (1995)

By Andrew L (1,755) on 29 May 2015

A wonderfully odd western highlighted by an amazing cast and a good soundtrack by Neil Young…

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Review of Dead Man (1995)

By Colm M (245) on 12 May 2017

Westerns need a new approach. This is one way of doing that. Existential western. Yes, thats what I said…

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Review of Dead Man (1995)

By Michael H (3,299) on 26 May 2016

There's no other film like this. I didn't understand it the first time but I did feel it…

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Review of Dead Man (1995)

By Movie B (110) on 28 Sep 2014

One of my favorites. A quirky, eerie and fantastic western. Excellent movie…

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Review of Dead Man (1995)

By Benjamin N (381) on 28 Jun 2015

Jarmusch blends the macabre of a McCarthy novel, dark campy humour and an indelible magical realism, in this quirky monochrome Western. 8/10…

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Review of Dead Man (1995)

By Kinch K (72) on 26 Jan 2016

Stunningly film, especially the black and white cinematography, which just tips beyond beautiful into transcendent…

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