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Last updated: 11 Jun 2026 at 16:11 UTC

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Review of by Gary Goldstein for Los Angeles Times — 21 Feb 2018

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Unnerving camerawork, editing and sound design rule this nightmarish, nonlinear effort which features credible glimpses into the world of celebrity, if not the music business itself. But dialogue, characterizations and acting (Eric Roberts has a negligible cameo) feel decidedly secondary to the film's more jarring visceral elements.

You can read the full review where it was originally posted online.

This review of Days of Power (2018) was written by and published by Los Angeles Times on 21 Feb 2018.

Days of Power has generally received mixed reviews.

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