Review of David Hockney: The Colors of Music (2005) by Janet Maslin for The New York Times — 28 Jul 2014
Over all, this deferential film salutes Mr. Hockney's artistry as an elixir for creaky texts, a hallucinogen for orthodox opera fans, and an antidote to his own senescence. As much as he lets the filmmaker be present, he successfully avoids real intimacy, keeping his personal life comfortably backstage.
You can read the full review where it was originally posted online.
This review of David Hockney: The Colors of Music (2005) was written by Janet Maslin and published by The New York Times on 28 Jul 2014.
David Hockney: The Colors of Music has generally received positive reviews.
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