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Last updated: 05 Jun 2026 at 14:39 UTC

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Review of by Glenn Heath Jr. for The Film Stage — 13 Nov 2019

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While Dark Waters often suffers mightily for being so inert, it always manages to circumvent lulls by embracing Bilott’s persistence, which works as an anecdote to corporate America, whose stranglehold over the country comes through in Edward Lachman’s deathly grey visuals defined by lifeless rural vistas.

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This review of Dark Waters (2019) was written by and published by The Film Stage on 13 Nov 2019.

Dark Waters has generally received very positive reviews.

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