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Last updated: 21 Jun 2026 at 01:26 UTC

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Review of by Richard Brody for New Yorker — 29 May 2016

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Arzner films it with fascination and enthusiasm, and the choreography is marked by the point of view of the spectators and the dancers' awareness that they're being watched.

You can read the full review where it was originally posted online.

This review of Dance, Girl, Dance (1940) was written by and published by New Yorker on 29 May 2016.

Dance, Girl, Dance has generally received positive reviews.

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