Review of Dalíland (2022) by Jason Bailey for The Playlist — 18 Sep 2022
Mary Harron is too good a director to make a drab, conventional biopic, so it’s disappointing to report that with Dalíland, she’s done just that. It’s not a complete waste, and she manages to insert a handful of distinctive flourishes and memorable characters.
But the picture never escapes the box it’s been placed in or transcends a key, fundamental error in its conception.
You can read the full review where it was originally posted online.
This review of Dalíland (2022) was written by Jason Bailey and published by The Playlist on 18 Sep 2022.
Dalíland has generally received positive reviews.
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