Review of Cuties (2020) by Richard Brody for The New Yorker — 17 Sep 2020
Doucouré pays keen attention to Amy’s quest for a self-made identity—and to a sexualized, commercialized mainstream culture that deludes children, especially those raised in cultural isolation. The film’s ultimate subject is the ghetto itself; a remarkable symbolic ending redefines French identity.
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This review of Cuties (2020) was written by Richard Brody and published by The New Yorker on 17 Sep 2020.
Cuties has generally received mixed reviews.
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