Review of Custody (2018) by Anthony Lane for The New Yorker — 01 Jul 2018
If you are pressed for time this week, and can spare only fifteen minutes at the cinema, spend them at the opening of Custody. There’s a scene near the start that is like a mini-movie in itself, tense with foreboding — a tension that the rest of Xavier Legrand’s film does nothing to dispel.
You can read the full review where it was originally posted online.
This review of Custody (2018) was written by Anthony Lane and published by The New Yorker on 01 Jul 2018.
Custody has generally received very positive reviews.
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