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Last updated: 20 Sep 2026 at 20:51 UTC

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Review of by Peter Travers for Rolling Stone — 24 Jun 1990

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In Cry-Baby, Waters has created a crackpot jamboree that captures the Fifties, then parodies and transcends the period; any resemblance to Nineties greed, prejudice and repression is intentional. At forty-three, Waters remains unrepentantly juvenile.

It’s his saving grace. What he can’t fight, he ridicules. The mirror Waters holds up to the world is distorted, turning everyone into a grotesque. But we can still see ourselves in it And laugh.

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This review of Cry-Baby (1990) was written by and published by Rolling Stone on 24 Jun 1990.

Cry-Baby has generally received positive reviews.

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