Crumb (1995) - Movie Reviews - Page 18 of 18

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Review of Crumb (1995)

By Emanuel Levy (2,948) for EmanuelLevy.Com (2,771) on 05 Jun 2006

This brilliant docu is not just a portrait of a compulsive artist, but also a deep inquiry into the mysteries of art, creativity, mental illness…

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Review of Crumb (1995)

By David Nusair (3,363) for Reel Film Reviews (3,339) on 05 May 2006

Sporadically intriguing but ultimately overrated…

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Review of Crumb (1995)

By Thomas Delapa (487) for Boulder Weekly (487) on 04 May 2006

Zwigoff's biography of Crumb is both absorbing and repellent, and it may be one of the best documentaries to make the connection between creativity…

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Review of Crumb (1995)

By Jennifer A (577) on 11 Mar 2006

Masterful portrait of the grandpappy of underground comics. After seeing this documentary Crumb's far-out comics don't seem quite so far-out…

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Review of Crumb (1995)

By Jeff Q (88) on 29 May 2005

I don't find Crumb's life or himself very interesting…

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Review of Crumb (1995)

By Walter Addiego (380) for San Francisco Examiner (1,621) on 20 Apr 2003

A documentary with a keen eye, a playful sense of timing and an inquisitive soul…

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Review of Crumb (1995)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 07 Jun 2000

A biting exploration of family dysfunction and artistic catharsis…

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Review of Crumb (1995)

By Jeffrey M. Anderson (3,573) for Combustible Celluloid (2,644) on 01 Jan 2000

Rarely has there ever been a work as great as Crumb, an achievement resting on both Zwigoff's talent and grace and on the enigma and poetry…

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Review of Crumb (1995)

By Mike Clark (1,024) for USA Today (4,117) on 01 Jan 2000

It succeeds at showing how one man's psychic wounds contributed to an art that transmutes personal pain into garish visual satire…

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Review of Crumb (1995)

By Kenneth Turan (2,323) for Los Angeles Times (12,977) on 23 Aug 1996

When it comes to unflinching, riveting looks at a compulsive artist who can't be other than who he is, nothing comes close to Crumb…

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Review of Crumb (1995)

By Richard Corliss (1,032) for Time (1,811) on 02 Jun 1996

How perfectly goddamned delightful it all is, to be sure. Irony aside, that's how to respond to this magnificent study in ink and blood…

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