Review of Crimson Gold (2003) by Peter Rainer for New York Magazine (Vulture) — 19 Apr 2012
Watching it is like getting a peek behind the curtain. But it's frustrating, too, because the casting of Emadeddin as a murderer-in-the-making precludes any psychological depth. And as an indictment of social inequality, which is the film's calling card, Panahi inadvertantly makes a far better case for the haves than for the have-nots.
You can read the full review where it was originally posted online.
This review of Crimson Gold (2003) was written by Peter Rainer and published by New York Magazine (Vulture) on 19 Apr 2012.
Crimson Gold has generally received very positive reviews.
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