Review of Crash (2005) by Brad — 08 Aug 2005

Too predictable, very contrived and no real panacea to the universal problem of racism is offered in this movie.

This review of Crash (2005) was written by Brad on 08 Aug 2005.

Crash has generally received very positive reviews.

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More Reviews of Crash

Review of Crash (2005)

By David Denby (676) for The New Yorker (1,837) on 15 Feb 2011

Hyper-articulate and often breathtakingly intelligent and always brazenly alive…

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By Exking (59) on 25 Apr 2013

Crash is an amazing movie amazing writing spectacular screenplay and most off all an astonishing performances by everyone I love the story…

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By Filipeneto (856) on 09 Oct 2020

This film is quite interesting for several reasons, and I can understand why it won the Oscar for Best Film in 2006: its a film that combines…

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By Staticspine (126) on 28 Mar 2014

This movie doesn't have a general plot, instead it has a lot of entwining sub-plots connecting through many characters, who meet each other…

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By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 15 Feb 2011

Haggis writes with such directness and such a good ear for everyday speech that the characters seem real and plausible after only a few words…

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By Axelkoch (73) on 30 Nov 2012

Perfect movie. It's absolutely stunning all the time. It left me happy but sad at the same time; assuaged but also distraught…

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Review of Crash (2005)

By Stevenf (209) on 04 Sep 2013

As 'Crash' unfolds and more and more characters are shown, it's clear that this is a realistic yet problematic study of human behaviour, it…

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By Critic_Cal (2) on 23 Apr 2012

This movie is a must see. It is simply phenomenal. The plot is engaging and the acting is fantastic…

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Review of Crash (2005)

By Johnem95 (50) on 03 Aug 2017

Preachy melodrama without a shred of subtlety that needs a Sarah McLachlan-esque song at the end to hammer its point home…

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Review of Crash (2005)

By Hampusforev (3) on 23 Feb 2011

I think the negative reviewers are a little harsh, I wouldn't call it racist by any stretch of the imagination. But cliched as all hell…

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