Review of Crash (2005) by David Denby for The New Yorker — 15 Feb 2011
Hyper-articulate and often breathtakingly intelligent and always brazenly alive. I think it's easily the strongest American film since Clint Eastwood's "Mystic River," though it is not for the fainthearted.
You can read the full review where it was originally posted online.
This review of Crash (2005) was written by David Denby and published by The New Yorker on 15 Feb 2011.
Crash has generally received very positive reviews.
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