Crash (1996) - Movie Reviews - Page 2 of 2

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Review of Crash (1996)

By Richard Corliss (1,032) for Time (1,811) on 14 Mar 2003

An intellectual and a sensualist, Cronenberg graces Crash with philosophical musings, acres of pretty flesh and even more penis talk than on…

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Review of Crash (1996)

By David Sterritt (1,643) for Christian Science Monitor (3,788) on 14 Jun 2002

David Cronenberg's movie is a chilly meditation on this theme, carrying some cinematic interest but surprisingly dull given the story's outrageous…

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Review of Crash (1996)

By Todd Mccarthy (1,810) for Variety (12,700) on 21 Dec 2001

Cronenberg is a master of creating and sustaining a mood of insinuating cool and dark allure, but while the director remains firmly behind…

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Review of Crash (1996)

By Rick Groen (1,350) for The Globe and Mail (Toronto) (4,018) on 20 Nov 2001

You may well hate Crash, but if intensity is what you seek in a darkened theatre, you'll hate missing it even more…

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Review of Crash (1996)

By Barbara Shulgasser (553) for San Francisco Examiner (1,621) on 17 Sep 2001

Cronenberg has said that he made the film to find out why he was making it. You may watch it for the same reason…

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Review of Crash (1996)

By Robin Dougherty (9) for Salon (312) on 04 Jul 2001

The astonishing thing, however, is how pleasantly hypnotic the film is -- despite the fact that its subject is confined to peculiarly gruesome sex…

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Review of Crash (1996)

By Ty Burr (2,612) for Entertainment Weekly (6,953) on 18 Jul 2000

The only entertainment value is in imagining Turner's apoplexy when he watched Spader having sex with Rosanna Arquette's leg wound…

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Review of Crash (1996)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 20 Jan 1999

Crash is still creepy, still menacing, still hypnotic, and it is still dedicated, in its freaky way, to the ideal of eroticism, to just drifting…

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Review of Crash (1996)

By Luc Sante (1) for Slate (2,081) on 02 May 1998

For a filmmaker who in Videodrome and Dead Ringers so elegantly broached the unspeakable, Cronenberg has here made a picture that is all surface…

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Review of Crash (1996)

By Elvis Mitchell (489) for The New York Times (9,847) on 07 Jan 1998

The Crash characters sleepwalk through this story in a state of futuristic numbness, seeking extreme forms of sensation because familiar feelings…

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Review of Crash (1996)

By Kenneth Turan (2,323) for Los Angeles Times (12,977) on 20 Oct 1997

The filmmaking here is so glacially paced (the final script was only 62 pages for a 100-minute film) and enervating that boredom is the most…

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Review of Crash (1996)

By Edward Guthmann (364) for San Francisco Chronicle (7,630) on 25 Aug 1997

I'm not quite sure what David Cronenberg is trying to say in Crash, but whatever it is, he deserves a lot of credit for having the nerve to…

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Review of Crash (1996)

By Jack Kroll (152) for Newsweek (1,534) on 20 Aug 1996

Crash has no plot to speak of. It's a cinematic tone poem of collisions and coitus…

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