Cosmopolis (2012) - Critic Reviews - Page 8 of 8

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Review of Cosmopolis (2012)

By Catherine Bray (216) for Film4 (1,522) on 02 Jun 2012

An extraordinary psychological and sensual immersion in the psychosis of capitalism with a brilliant performance from Robert Pattinson…

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Review of Cosmopolis (2012)

By Jon Frosch (191) for France24 (78) on 29 May 2012

Not even Cronenberg's trademark high- and low-angle shots, as well as one glorious moment of erotically charged Cronenbergian body horror,…

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Review of Cosmopolis (2012)

By Kimberly Gadette (432) for Doddle (184) on 28 May 2012

A polemic rather than a film…

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Review of Cosmopolis (2012)

By Simon Gallagher (50) for Film School Rejects (1,198) on 25 May 2012

Yes Cosmopolis bears a striking gloss, and is shot basically well, but it is way too showy without the necessary substance, and as a result…

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Review of Cosmopolis (2012)

By Robbie Collin (1,612) for Daily Telegraph (UK) (2,495) on 25 May 2012

Its portrayal of civilisation as an impossibly intricate, crucially flawed equation, about to buckle and snap, is sinuously compelling…

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Review of Cosmopolis (2012)

By Xan Brooks (287) for Guardian (4,584) on 25 May 2012

Cosmopolis, praise be, is flat-out marvellous, a 21st-century American horror story, haunted by the glow of cyber-capitalism…

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Review of Cosmopolis (2012)

By Peter Howell (1,731) for Toronto Star (3,601) on 24 May 2012

What we can't argue is that Cosmopolis is the work of a master filmmaker, one who is determined to have us think about the ideas packed into…

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Review of Cosmopolis (2012)

By Lee Marshall (157) for Screen International (2,241) on 24 May 2012

[Cronenberg's] dependence on DeLillo's source material means that the director is not entirely his own man, and the atmosphere of impending…

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Review of Cosmopolis (2012)

By Guy Lodge (731) for HitFix (861) on 24 May 2012

Hinky, kinky, defiantly unlovable Cosmopolis lands in our laps with bristly self-assurance…

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Review of Cosmopolis (2012)

By Damon Wise (265) for Empire Magazine (3,326) on 24 May 2012

It goes without saying that it is weird, but even from the director of eXistenZ and Videodrome it is bizarre, with the mannered, affected performances…

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