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Last updated: 14 Jun 2026 at 06:21 UTC

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Review of by Anthony Lane for The New Yorker — 10 Apr 2010

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Those who worship Joy Division may bridle at Corbijn’s film for its reluctance to mythologize their hero. Speaking as someone so irretrievably square that I not only never listened to the band but didn’t even know anyone who liked it, I can’t imagine a tribute more fitting than this.

You can read the full review where it was originally posted online.

This review of Control (2007) was written by and published by The New Yorker on 10 Apr 2010.

Control has generally received very positive reviews.

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