Review of Coma (1978) by Pauline Kael for The New Yorker — 30 Nov 2017
COMA wastes a superb performance by Bujold on a simplistic, predictable series of cliched suspense scenes, seasoned with some last-minute moralizing about contemporary medicine.
You can read the full review where it was originally posted online.
This review of Coma (1978) was written by Pauline Kael and published by The New Yorker on 30 Nov 2017.
Coma has generally received positive reviews.
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