Review of Colette (2018) by Peter Keough for Boston Globe — 25 Sep 2018
Westmoreland’s narrative is cluttered with undeveloped subplots and loose ends. He compensates by evoking the era with images drawing from painters like Gustave Caillebotte and Toulouse-Lautrec and soundtrack music that ranges from Strauss-like waltzes to Erik Satie’s “Gymnopédies.
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You can read the full review where it was originally posted online.
This review of Colette (2018) was written by Peter Keough and published by Boston Globe on 25 Sep 2018.
Colette has generally received positive reviews.
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