Review of Colette (2018) by Chelsea Phillips-Carr for Cinema Scope — 04 Sep 2018
Colette postures in its simplistic feminism: despite viewing Willy as a fool, his narcissistic, regressive misogyny is given more space than Gabrielle/Colette's own talents.
You can read the full review where it was originally posted online.
This review of Colette (2018) was written by Chelsea Phillips-Carr and published by Cinema Scope on 04 Sep 2018.
Colette has generally received positive reviews.
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