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Last updated: 19 Jul 2026 at 00:51 UTC

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CODA (2021) - Movie Reviews - Page 4 of 5

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Review of CODA (2021)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 13 Aug 2021

Most of all, [Heder] makes us see and believe in our bones that the Rossis are a real family with real chemistry, with real bonds and trials…

Review of CODA (2021)

By Donald Clarke (1,051) for The Irish Times (483) on 13 Aug 2021

Coda is an unqualified success in its relaxed, almost matter-of-fact treatment of how deaf families move through a largely uncomprehending society…

Review of CODA (2021)

By Tim Robey (1,578) for The Telegraph (1,120) on 13 Aug 2021

CODA is way too busy playing things cute…

Review of CODA (2021)

By Javiersrate (2) on 13 Aug 2021

That really touched my heart too many times, many laughs too and I cried few times too…

Review of CODA (2021)

By John Anderson (1,358) for Wall Street Journal (3,071) on 12 Aug 2021

Where the Ruby-teacher relationship falters is not the fault of the actors, but the writer. Mr…

Review of CODA (2021)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 12 Aug 2021

The template of CODA — the title is also a term used to describe the hearing children of deaf adults — might be wearyingly familiar, but…

Review of CODA (2021)

By Michael Phillips (2,622) for Chicago Tribune (6,211) on 12 Aug 2021

What’s missing are unexpected beats, some rougher edges, a few plot-undependent moments that bring us closer to the way these characters…

Review of CODA (2021)

By Amy Amatangelo (36) for Paste Magazine (2,906) on 12 Aug 2021

By the time the movie reaches its poignant, beautiful conclusion, I defy anyone to have a dry eye…

Review of CODA (2021)

By Glenn Whipp (553) for Los Angeles Times (12,977) on 12 Aug 2021

Because Heder — whose previous work includes the Netflix series “Orange Is the New Black” and “Glow” and feature “Tallulah” —…

Review of CODA (2021)

By Jocelyn Noveck (253) for The Associated Press (882) on 12 Aug 2021

Heder, who adapted her screenplay from the 2014 French film La Famille Belier, makes crucially effective decisions throughout, but none more…

Review of CODA (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 12 Aug 2021

While a little sentimentality never hurt anyone, what stands out when revisiting CODA outside the festival bubble are the parts that feel unguided…

Review of CODA (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 12 Aug 2021

CODA is lovely. If you want to see a movie that will make you feel good, this is it…

Review of CODA (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 12 Aug 2021

Ruby is an underdog worth rooting for, and Jones (the Netflix series Locke & Key) is terrific…

Review of CODA (2021)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 11 Aug 2021

Grounded and sweet, delicately bawdy, and decidedly hilarious, CODA puts an effervescent and original spin on the coming-of-age comedy-drama…

Review of CODA (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 10 Aug 2021

You’ll laugh, all right. You’ll cry. You’ll do both at the same time. CODA is just that kind of movie. And thank goodness for it…

Review of CODA (2021)

By Bill Goodykoontz (2,123) for Arizona Republic (3,909) on 10 Aug 2021

Sometimes a feel-good story hits the spot. CODA is one of those times…

Review of CODA (2021)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 10 Aug 2021

Coda features a nice little romance between Ruby and a handsome and well-liked boy named Miles (Ferdia Walsh-Peelo), but this is primarily…

Review of CODA (2021)

By Ian Freer (515) for Empire (3,446) on 10 Aug 2021

Two parts raw and real, one part manipulative, Coda finds engaging characters and real emotions in a hackneyed narrative arc…

Review of CODA (2021)

By Noel Murray (1,901) for The A.V. Club (5,644) on 10 Aug 2021

The climactic emotional beats are telegraphed almost from the beginning, but they still hit hard, effectively leaving viewers who can suspend…

Review of CODA (2021)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 10 Aug 2021

There isn’t enough raw drama, deep-felt emotion, or genuine artistry on display here to keep CODA from staring down its own obligatory end…

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