Review of Cocoon (1985) by Pauline Kael for The New Yorker — 04 Jul 2011
The film has something for everyone but, in effect, offers nothing of substance to anyone. The interplay between Ameche, Cronyn, and Brimley allow for some lively, even touching scenes in a product—and make no mistake, a product is exactly what it is—that is, at best, adequate.
You can read the full review where it was originally posted online.
This review of Cocoon (1985) was written by Pauline Kael and published by The New Yorker on 04 Jul 2011.
Cocoon has generally received positive reviews.
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