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Last updated: 19 Jul 2026 at 12:32 UTC

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Review of by Manohla Dargis for The New York Times — 12 Nov 2013

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Like too many big-studio productions, Cloverfield works as a showcase for impressively realistic-looking special effects, a realism that fails to extend to the scurrying humans whose fates are meant to invoke pity and fear but instead inspire yawns and contempt.

Rarely have I rooted for a monster with such enthusiasm.

You can read the full review where it was originally posted online.

This review of Cloverfield (2008) was written by and published by The New York Times on 12 Nov 2013.

Cloverfield has generally received positive reviews.

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