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Last updated: 19 Jul 2026 at 16:48 UTC

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Review of by Pauline Kael for The New Yorker — 20 Dec 1995

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Cleo from 5 to 7, acclaimed in France as "the most beautiful film ever made about Paris," is a curiously, spuriously brilliant attempt to contemporize the legend of Death and the Maiden.

You can read the full review where it was originally posted online.

This review of Cléo from 5 to 7 (1962) was written by and published by The New Yorker on 20 Dec 1995.

Cléo from 5 to 7 has generally received very positive reviews.

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