Review of Clementine (2020) by Nell Minow for RogerEbert.com — 08 May 2020

At its best is more a mood piece than a narrative, an exploration of the shifting power in relationships with striking images and overtones of duality. But at its weakest, it is more of a workshop than a story — the ultimate resolution, like the story Lana tells that gives the film its name, is less meaningful than it aspires to be.