Review of Clemency (2019) by Anthony Lane for The New Yorker — 06 Jan 2020
The movie’s energies drop perceptibly in the middle section; lines of dialogue are recited at a sluggish rate, with lengthy pauses, as if the pressure of the presiding theme had numbed the characters’ tongues.
You can read the full review where it was originally posted online.
This review of Clemency (2019) was written by Anthony Lane and published by The New Yorker on 06 Jan 2020.
Clemency has generally received positive reviews.
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