Review of City Lights (1931) by Peter B — 02 Mar 2010
I hestitate to intellectualize this film; it is pure entertainment: comedy based on circumstance and miscommunication rather than crudeness or irony, and a simple plot that serves as a vehicle for Chaplin's singular talent for creating pathos. With a second-long change in facial expression he conveys more emotional truth than any modern actor I can think of. He is the unquestionable hero from the first time we see him, long before he does anything heroic. In addition to his obvious comedic genius, he has an effortless agility and physical precision, emphasized by his comically large shoes and tight-fitting tailcoat.
There is much you could say about the themes of this film. You could talk of class snobbery and social injustice. But in truth, this film is only about the Tramp and the object of his affections, the blind flower girl who thinks he is an aristocrat.
Every scene in this film is perfect comedy, crystallized joy. The ending is one of the most moving I have ever seen. Watch it.
This review of City Lights (1931) was written by Peter B on 02 Mar 2010.
City Lights has generally received very positive reviews.
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