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Review of by Michael O'sullivan for Washington Post — 30 Jul 2014

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Franco’s hand-held camerawork draws the story forward as unfussily as a shepherd leads a sheep, and yet with a kind of ghastly grandeur. This is functional filmmaking more than it is flashy. But there is, at its heart, a single virtuosic performance.

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This review of Child of God (2014) was written by and published by Washington Post on 30 Jul 2014.

Child of God has generally received mixed reviews.

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