Review of Chicago (1927) by Edgar C — 19 May 2010
Hyperactive musical and a refreshing air after so many flat Broadway adaptations, but if the cast and some of the editing were the only aspects going around this piece, the genre is doomed. Where did the days of Bob Fosse go? We want them back! Zellweger is the strongest one in this show and that's it.
66/100.
This review of Chicago (1927) was written by Edgar C on 19 May 2010.
Chicago has generally received positive reviews.
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