Review of Caveman (1981) by Pauline Kael for The New Yorker — 24 May 1999
Relying mostly on slapstick visual humor (only 15 words are spoken, otherwise the dialog is all grunts and groans), the action quickly becomes madcap.
You can read the full review where it was originally posted online.
This review of Caveman (1981) was written by Pauline Kael and published by The New Yorker on 24 May 1999.
Caveman has generally received mixed reviews.
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