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Last updated: 25 Jun 2026 at 22:26 UTC

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Review of by Judith Crist for New York Magazine (Vulture) — 31 Jul 2010

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This film wants to be bleak, nihilistic, and darkly hilarious but Catch-22 emerges as an exercise in frustration for those unprepared for Nichols's episodic, detached, and surreal treatment of the novel.

Like a nightmare, the film shifts from one bizarre episode to another, with Alan Arkin's dazed Yossarian reacting to the madness that surrounds him, but second only to the viewer.

You can read the full review where it was originally posted online.

This review of Catch-22 (1970) was written by and published by New York Magazine (Vulture) on 31 Jul 2010.

Catch-22 has generally received positive reviews.

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